Indigenous Peoples and Human Rights

March 31, 2007

Desert Rock: Navajo grandmother asks 'Do you remember?'

Photo: Navajos protest at Navajo President Joe Shirley's inauguration in January/Photo Dooda Desert Rock

Navajo grandmother thanks resisters opposing power plant and asks the Navajo President: 'Do you remember?'
From: Bessie Taylor
Navajo in Crystal, NM

"I appreciate you resisters who are trying to stop this big corporation. A lot of us agree with what you are doing. Some of us don't have a way to get there. It was very cold here in the winter. I appreciate Sarah White for doing this. I appreciate the people who marched on inauguration day and also the people who are on the land. I see that you have a heart for the people who don't know much about what is going on with this Desert Rock.
As for those people who are smart and know a lot about this Desert Rock, all they can see is money. What they don't know about is the health. Once the smoke goes up it is going to bring down the acid rain and it will go into our drinking water and into our plants and onto our animals. It will also darken the sky and it won't be a clear blue sky anymore. Some of us know that it is going to increase global warming.
Joe Shirley calls himself, "Dr. Joe Shirley." He should know about these dangerous things. Dineh Power should be on our side, not on the side of killing the earth. Joe Shirley said this has been talked about for years, but I have never heard about this at the chapter.
Joe Shirley always puts the culture up front when he is speaking, so I was really for him. I thought he really knew how to be our leader. But now he turns around and is on the bilagaana side.
Joe Shirley do you remember way back our ancestors used to say "if you try to do something that is only good for you, in the long run it will fall back on you and not be good for you." Anything you do to become a great person, to make yourself rich or make things turn around for you, it will fall back on you. That's why this Desert Rock is such a big thing to me and it scares me.
I hope for you folks who live in that area, I hope someone will explain to you what the dangers are. Those people who say you will get rich are trying to brainwash you with money. A lot of us are sad about this. I appreciate all the people that are standing with us."

Bessie Taylor
Crystal, New Mexico

March 30, 2007

Anne Frank at Bosque Redondo: So the world will remember



A new exhibit opens at Bosque Redondo on April 4, 2007, bringing the history of the Nazi holocaust in Europe to the site of the United States holocaust for Navajos and Apaches in northern New Mexico.



PHOTOS: (L) Navajo and Apache children imprisoned at Bosque Redondo in the 1860s. (R) Anne Frank. Photos NM State Monuments

The spirit of these children lives

Anne Frank Exhibit Opens at Bosque Redondo

FORT SUMNER, NM -- A compelling exhibition depicting anti-Semitism, racism, ethnic cleansing, and genocide told through the story of Anne Frank, will be on display at Bosque Redondo State Monument at Fort Sumner from April 4 through May 11, 2007. The opening reception will be held from 5:00-7:00 pm on April 3rd.

The exhibition, "Anne Frank: A History for Today," is part of a series of educational programming, including a Long Walk Symposium for educators in June 2007, planned to enhance awareness of the Long Walk and incarceration of Navajo and Mescalero Apache people at Fort Sumner during the 1860s. “The Anne Frank exhibit will help connect the tragic events at Fort Sumner to the larger context of human rights abuses that have taken place across the globe,” says Mary Ann Cortese, President of Friends of Bosque Redondo. The Friends group is sponsoring the exhibit. The Long Walk Symposium is being made possible by a special legislative appropriation.

The incarceration of native people at Fort Sumner is one of the most tragic periods in U.S. history. During the expansionist fervor of the pre-Civil War period, war and a scorched earth policy conducted by the U.S. Army reduced the Navajo population residing in the New Mexico Territory to 10,000. The remaining Navajo were relocated to Bosque Redondo Reservation, along with 400 Mescalero Apache, on the one million-acre Bosque Redondo Indian Reservation and its overseer, Fort Sumner, were located. Thousands of Navajo people became ill and died during the long journey and incarceration. However, unlike the story of Anne Frank, the events at Bosque Redondo are not well known.

The widely read story of Anne Frank, the young Jewish teenager who went into hiding in Amsterdam with her family when the Germans invaded Poland then Holland, and began the persecution of Jews, has become a classic. Anne’s diary is timeless and continues to resonate today.

The 20th century was one of repeated genocides from the slaughter of Armenians during World War I to the Holocaust during World War II to the post-1945 era in Cambodia and Rwanda, Kosovo and Darfur.

The exhibition provides a powerful experience that will encourage ongoing individual and community dialogue and education. “It is our hope that the classroom and community discussions that will take place as a result of this exhibit and its connection with Bosque Redondo will aid the healing process,” said Angie Manning, Monument Manager. “This Monument takes seriously its charge to inform and educate—even when the subject matter is sensitive,” she adds.

The history of Anne Frank is the leading thread throughout the exhibition. The family’s story reflects world events during and after the Nazi dictatorship. The exhibition juxtaposes photographs of the Frank family with those of historical events of the time, and shows how persecuted people such as the Franks were affected by political decisions and by the actions of individuals.

Anne Frank: A History for Today covers five periods in the Frank family life. The exhibition commences with her early childhood in Frankfurt am Main (1929-1933). The exhibition moves on to the period between 1933-1939 with the Nazi’s taking political control of Germany and the family fleeing to Holland. The third period, between 1939-1942 has the Germans first invading Poland then Holland. It is in July 1942, with persecution of the Jews taking place throughout the conquered lands, that the Frank family goes into hiding in Amsterdam. During this period the young Anne Frank writes her diary. The fifth period, between 1945 and today illustrates the defeat of the Axis powers and the end of Nazi tyranny. Otto Frank, Anne’s father, discovers that neither his daughter nor his wife survived the war. However, he is given Anne’s diary by one of the persons who gave shelter to the family during the occupation. Otto Frank publishes the diary in 1947, and it is eventually translated into more than 59 languages. This final section discusses what happens after 1945 to survivors, what types of human rights laws have been passed, and the continuing struggle against racism and discrimination of people today.

The Anne Frank exhibit was developed by the Anne Frank House in Amsterdam and is sponsored in North America by the New York based Anne Frank Center USA, Inc.

When the “Anne Frank: A History for Today” opens at Bosque Redondo Memorial at Fort Sumner State Monument on April 4th, visitors will be among the first to experience the new Tour Mates Audio Tour of the site. The Friends of Bosque Redondo who sponsored the exhibit also gifted the audio tour and equipment to be enjoyed by visitors.

The audio tour was produced by Eliza Wells Smith, author of the Monuments book Bridges to the Past. Actor Wes Studie is the narrator for the tour. Wes Studie is joined by the voice and song of Navajo storyteller and author Blackhorse Mitchell, as well as Judge Steven Pfeffer, and television broadcaster and author, Yolanda Nava, who serves as marketing Director for NM State Monuments.

The sensitively written and narrated audio tour is an important addition to the Bosque Redondo experience. 8,500 Navajo and more than 450 Mescalero Apache were incarcerated during the 1860s at the one million acre Bosque Redondo Indian Reservation, during one of the most tragic periods of U.S. military history. It was a time when the government policy was to eradicate and contain native people who threatened the westward expansion of settlers from the Eastern part of the United States. Told in both Navajo and English, the tour moves the visitor from the main exhibit area to the scenic landscape out-of-doors--past Treaty Rock, the Observation Deck that overlooks the Pecos River that separated the Navajo and Mescalero Apache who were captives there, the Old Visitors Center, and the Maxwell House where Billy the Kid was killed, then back to the Bosque Redondo Memorial.

The Anne Frank exhibit is part of a series of exhibits and programming designed to initiate a dialogue about the larger issue of human rights. School children around the world read the German-Jewish teenagers story about her experiences during the Nazi regime during World War II.

“We are most grateful to the Friends of Bosque Redondo for sponsoring the exhibit and audio tour. Their generosity will help expand our visitor’s understanding of the tragic events that occurred here, and hopefully will forward our ability to engage students, teachers and the public in a larger dialogue about human rights, in the hopes of preventing such abuses in the future”, said monument manager Angie Manning.

Bosque Redondo Memorial at Fort Sumner is located 3 miles east of Fort Sumner, Highway 60/84, south 3/5 miles on Billy the Kid Road. For more information call 505. 355-2573, or visit http://www.nmmonuments.org/
Admission to the Anne Frank exhibit is free. General admission to the Monument is $5.00 for adults. Children under 16 are free.

Louise Benally Censored: Iraq compared to Bosque Redondo

The following comments by Louise Benally of Big Mountain, comparing the Long Walk and imprisonment in Bosque Redondo to the war in Iraq, were censored by Indian Country Today.
Pressed to publish a correction to the published article by this reporter, the newspaper refused.

Navajos at Big Mountain resisting forced relocation view the 19th Century prison camp of Bosque Redondo and the war in Iraq as a continuum of U.S. government sponsored terror.

Louise Benally of Big Mountain remembered her great-grandfather and other Navajos driven from their beloved homeland by the U.S. Army on foot for hundreds of miles while witnessing the murder, rape andstarvation of their family and friends.

“I think these poor children had gone through so much, but, yet they had the will to go on and live their lives. If it weren’t for that, wewouldn’t be here today.

“It makes me feel very sad and I apply this to the situation in Iraq. I wonder how the Native Americans in the combat zone feel about killing innocent lives.”

Looking at the faces of the Navajo and Apache children in the Bosque Redondo photo, Benally said, “I think the children in the picture look concerned and maybe confused. It makes me think of what the children in Iraq must be going through right now.

“The U.S. military first murders your people and destroys your way oflife while stealing your culture, then forces you to learn their evilways of lying and cheating,” Benally said.

The newspaper refused to publish a correction. Louise's comments were censored from this article by the editors:
http://www.indiancountry.com/content.cfm?id=1096410763

Brenda Norrell (former staff reporter)

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America's Holocaust, American Indian Genocide Museum


"Houston mayor insults American Indians"
http://bsnorrell.blogspot.com/2007/03/racist-houston-mayor-insults-american.html

Journalists know that the genocide of American Indians is one of the most censored issues in America. The racism and censorship is institutionalized in text books and classrooms in America.

Make a difference, voice support for the American Indian Genocide Museum in Houston:

Steve Melendez, Pyramid Lake Paiute, president
Mailing Address:
American Indian Genocide Museum
11013 Fuqua PMB # 178
Houston , Texas 77089

Physical Address :
3004 Bagby ( By appointment only )

E-mail: (Steve Melendez) indmuseum@yahoo.com>
Website : http://www.aigenom.com/

Phone : 281-841-3028
UPDATE April 14, 2007
"Cheyenne/Arapaho accounts of genocide to air in Houston"
CENTENNIAL, CO -- "The Sand Creek Massacre", a documentary film by award-winning writer/filmmaker Donald L. Vasicek, is going to air on HCCTV/Time Warner, TV Max, Channel 95, Phonoscope, and Channel 77 on Sundays April 15 & 22 at 5 a.m., Mondays April 16 & 23 at 11 p.m. and Saturdays April 21 & 28 at 4:30 p.m. The film, driven by Cheyenne/Arapaho oral histories, focuses on genocidal intent and how the Cheyenne/Arapaho people continue to overcome it, nearly 143 years after the Sand Creek Massacre."The film is a powerful educational tool for all," says Vasicek. "A sage people who transcend hate via non-violence shows how ignorance can be changed to wisdom, and subsequent solutions to problems each of us, particularly our children and grandchildren, face in our world today.Vasicek's web site, http://www.donvasicek.com, provides detailed information about the Sand Creek Massacre including various still images particularly on the Sand Creek Massacre home page and on the proposal page.Olympus Films+, LLC is dedicated to writing and producing quality products that serve to educate others about the human condition.###Donald L. VasicekOlympus Films+, LLC7078 South Fairfax StreetCentennial, CO 80122http://us.imdb.com/Name?Vasicek,+Donhttp://www.donvasicek.comdvasicek@earthlink.net303-903-2103


"Native film challenges Bush again for authorizing war under the disguise of self-interest"March 30, 2007 --

CENTENNIAL, CO -- A film based on an award-winning documentary short film, "The Sand Creek Massacre", was screened at Innovation Hall, George Mason University in Fairfax, Virginia, on March 28, 2007. Award-winning writer/filmmaker, Donald L. Vasicek, the director and producer of the film, answered questions and discussed filmmaking with Asian, African American, Native American, Indian, and Caucasian students who are studying filmmaking and native themes.One student remarked, "The beautiful images of where the Sand Creek Massacre occurred stunned me by the reality of what happened there. I can't believe Americans are capable of ordering this kind of violence."Vasicek said, "We've used a passive approach to the telling of the brutality at Sand Creek for the purpose of showing the ignorance of utilizing killing as a means to solve problems. Violence always leaves an impact, but the graphicness of the murders, the rapes, the mutilations, even after people were dead, leaves a remarkable imprint on students, parents, and educators. They see an historic reality that motivates them to do more to circumvent violence in the present as a means to solve problems. And that includes fourth graders who viewed the film in an elementary school in Centennial, Colorado who shared their thoughts with me after the screening."A clip can be viewed and the film can be ordered for $24.95 plus $4.95 for shipping and handling at http://www.fullduck.com/node/53. Accompanying lesson plans/curriculum are also available.Vasicek's web site, http://www.donvasicek.com/, provides detailed information about the Sand Creek Massacre including various still images particularly on the Sand Creek Massacre home page and on the proposal page.Olympus Films+, LLC is dedicated to writing and producing quality products that serve to educate others about the human condition.Contact:Donald L. VasicekOlympus Films+, LLC7078 South Fairfax StreetCentennial, CO 80122http://us.imdb.com/Name?Vasicek,+Donhttp://www.donvasicek.com/dvasicek@earthlink.net303-903-2103

O'odham Gather in Quitovac to Protect Sacred Place

(Photo: O'odham were joined by other residents of Sonora to protest the dump, after whistleblowers exposed the plan in 2006. One of the protests closed traffic through the border near Sonoyta in 2006. Photo Ofelia Rivas.)

Event: Saturday, March 31, 2007
Quitovac, Sonora, Mexico

In secret, Mexico issued a federal permit for a hazrdous waste dump in the area of Quitovac n 2005. Quitovac is the site of annual O'odham ceremonies. The project is now temporarily halted by the refusal of Sonoyta, Sonora, to issue a municipal permit, but the company, CEGIR, is still pressing for the dump.

From Ofelia Rivas:
This day event is an education and information sharing day. The event will be held at the Quitovac school grounds.
We will have speakers on, Impact on the O'odham culture ( sacred site, spiritual well-being of O'odham, traditional foods harvest and medicinal plants) and the environment impact of the proposed chemical waste dump including ground water, surface water and air contamination.
We hope this day will bring support and solidarity in our effort ot stop this chemical waste project.
Due to Quitovac, a O'odham sacred ceremony grounds, no camping will be allowed.
There will be a meal provided. Bathroom facilites are available on the school grounds.
The Major of Sonoyta has volunteered the Red Cross to provide assistance in case of any medical emergency.
The Majors' office will notify Port of Entry and the Check Point officials of our event. We hope to have some volunteers near the Port of Entry to answer your questions.

For more information, please contact: Ofelia Rivas: uyarivas@hotmail.com

See related articles"
"EPA Blows Whistle on Tohono O'odham Officials Over Dump"
"EPA Complicit in Hazardous Dump"

http://bsnorrell.blogspot.com/2007/03/epa-blows-whistle-on-tohono-oodham.html
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Other news from Mexico:
Supermodels for Oaxaca Claim First Victory: Halt Miss USA pageant events in Oaxaca:
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US Oil Drain...
Ex-Auditor Says He Was Told to Be Lax on Oil Fees
By EDMUND L. ANDREWS
http://www.nytimes.com/2007/03/29/business/29royalty.html

WASHINGTON, March 28 — A former top auditor at the Interior Department accused senior officials on Wednesday of prohibiting him and other investigators from recovering hundreds of millions of dollars in underpayments from oil and gas companies that drill on federal land and in federal waters.

March 29, 2007

UPDATED: Peltier, 'My Life is My Sundance' Theater

Photo: Lakota actor Doug Foote in theater production, Leonard Peltier: "My Life Is My Sundance" in Boulder. (Photos by Keith and Dayna)
Slide show: http://www.slide.com/r/uNLGRS0wuT83pyBGFKdkH9KQ19zDR6F2?referrer=emcd
LPDC WEBSITE:
http://www.leonardpeltier.net/
Contact for play: Producers Cathie and Paul Soderman: warriorartists@aol.com http://www.warriorartists.com/
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UPDATE: Message from Harvey Arden
"Everyone's delighted this old whiteman will take Leonard's bullets. What a way to go!"
Responding to questions about the theater production, Harvey said:
"No, the play wasn't cancelled. It had 12 wonderful performances. It HAS been attacked by at least one FBI surrogate and remains unmentioned (as yet) in the national press, though was well-reviewed by press in Boulder & Denver when it played. We're hoping to take it on the road. It WAS mentioned in NDN journalist Brenda Norrell's new website CENSORED -- which features NDN subjects the corporate media conveniently ignore, as they've ignored Leonard for decades, except for an occasional hatchet job. There was, however, no cancelling or censoring of the production of MY LIFE IS MY SUN DANCE. Every performance brought audiences to tears, outrage & inspiration; I myself have never seen a theater audience more profoundly moved or shaken; sustained standing applause for Lakota actor Doug Foote's incandescent performance were powerful experiences in themselves. I doubt there's anything on Broadway today even remotely as moving as this play. Are there other theaters withthe grit and integrity to stage Cathie Quigley-Soderman's wondrous production? There's already an offer for a potential London production. We'll see. I'd rather see a major production here in the States touring every regional theater in the land. Leonard has a rare parole hearin in December \'08 (the last was in 1993, next--if needed--in 2017.). Pulitzer-Prize-winning (ha!) production of this amazing piece of theater could help win Leonard's freedom, just as Hurricane Carter's movie did for him. Leonard's 63rd birthday will be September 12; two weeks later I myself will turn 72. I have a dream: walking at Leonard's side as he walks out of prison a free man. If he's assassinated at that moment -- as some in e-mails to me have hopefully suggested will happen -- I would be honored to take the bullets for him. So would many tens of millions of other decent people around this indecent planet we've created. May Creator watch over the two of us -- and over the many many millions of us. Let decency reign. Free Leonard Peltier!"
--Harvey Arden
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About Lakota actor Doug Foote
Doug Foote who is Lakota from the Standing Rock Sioux Reservation in South Dakota, plays the lead in the Theatre 13 production. It's his first speaking role and he feels honored to fill the shoes of the activist.
"What has he done, and what he has fought for, I too have been through that," Foote told The Denver Rocky Mountain News. "I am very honored and humbled to play that part of Leonard Peltier."
Foote served a tour of duty in Iraq. He suffered a knee injury when an improvised explosive device went off. He's a fancy dancer and a drummer who hopes to return to his tribe to work as a youth counselor.
Foote is part of an all-Native cast for "My Life Is My Sun Dance." The play is set inside Peltier's prison cell, where he is serving two life terms for the June 1975 murders of two FBI agents on the Pine Ridge Reservation in South Dakota.
Get the Story:Actor feels honor taking Peltier role (The Denver Rocky Mountain News 3/15)Username: indianz@indianz.com, Password: indianz
Seven Days (The Colorado Springs Independent 3/15)
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Special thanks to Steph for permisssion to publish this review:

Transcendent Magic:
The world premiere of "My Life Is My Sun Dance",
A play written by Leonard Peltier with Harvey Arden


© by Stephanie M. Schwartz, Freelance Writer email: SilvrDrach@Gmail.com
Member, Native American Journalists Association (NAJA)
Photos © Keith Rabin, Evergreen Colorado March 2007

Boulder, Colorado March 16, 2007

Live theater can be magic. The goal of actors and directors is to perfect illusion onstage so as to transport the audience into their world; to become one with them, to care about them. Those moments are sometimes rare but always beautiful. The illusion of theater, perfected as an art, becomes true magic.

Last night, in a small blackbox theater on an upper floor of the Boulder [Colorado] Museum of Contemporary Art, an audience of ab My Life Is My Sun Dance, was a book published in 1999 by the Native American political prisoner, Leonard Peltier, with Harvey Arden as his editor. It is a collection of Peltier’s essays, poems, and reflections on his life and his work from within prison walls, his love for his People and cultural traditions, and his understanding that through forgiveness, through “forgiving the unforgivable”, comes healing; that forgiveness and fair treatment is the real power within each person.

Peltier’s words were originally adapted to solo readings by his editor, devoted friend and supporter, Harvey Arden. Now, in 2007 and ever-more timely, the words have been adapted to stage by Harvey Arden, Cathie Quigley-Soderman, and Doug Foote, directed by Quigley-Soderman, and produced by Warrior Artists Productions along with the Museum’s internal Theater 13. The production stars Lakota actor, Doug Foote, as Leonard Peltier, and features Doug Foote’s Good Feather Drum/Singers (Robert Ironshield, Nick Foote, and Mark Silentbear). Intermission speakers and singers vary by performance.

Those are the facts. But what the facts don’t depict was last night’s opening night performance. Transcendent magic. A performance so profound, so powerful, that it brought the audience to tear-flowing, stunned silence followed by a standing ovation. That 71 year old Harvey Arden stood during intermission, with a talking feather in his hand and tears in his eyes as he spoke authentically of the real power and tragedy of Leonard Peltier, was enough to touch the hearts of everyone there. Southern Cherokee singer JD Nash stopped in for one night, one intense song, giving his own searing message of choice and hope as a gift to the audience. Cast singer Mark Silentbear offered up his own composition, Peltier, as a haunting, evocative memory while the Good Feather Drum, singing and playing from time to time, brought the reality and the beauty of the Lakota Traditional Ways alive. Moreover, the “technicals” were superb with the so-brief historical film clips, back-lit shadow work, and the unique lighting techniques which brought attention and emphasis to the riveting words.

But it was Doug Foote, Wiyaka Waste, from the Standing Rock Lakota Reservation of South and North Dakota who created the greatest miracle. A champion Fancy Dancer and Ceremonial Singer, fluent in his Lakota language, not long back from being injured during two Tours of Duty in Iraq, Foote is new to lead-acting but obviously not new to pain, individual or collective or cultural. Doug Foote walked onto that stage but, as was witnessed by everyone there, a gripping, indisputable metamorphosis took place. As spirit flowed through him, the face, the body language, the soul became Leonard Peltier. Rarely does an actor obtain this level of transcendence. But Doug Foote not only managed it but merged the audience right along with him, into the prison cell, the life, into the heart, the song, and into the forgiveness of Leonard Peltier.

It all started during the time of the horrific 1970’s Reign of Terror on the Oglala Lakota Sioux Pine Ridge Reservation in South Dakota, an infamous time of great violence and mutual corruption between tribal officials and U.S. government employees. Two FBI agents were killed during a gun battle on Reservation land on which numerous Lakota men, women, and children were camped. A Lakota man was also killed but his death has never been investigated. Leonard Peltier was convicted of murdering the two FBI agents after everyone else was acquitted as having acted in self-defense. His was the sole conviction, a conviction based on untruth and hate, a vendetta.

The United States Courts have since admitted that Peltier’s conviction of murder was based on incomplete, misleading, withheld, and out-right fraudulent evidence. The U.S. Prosecutor has even conceded they do not know who actually shot the two FBI agents.

It was the Freedom of Information Act which allowed Peltier’s attorneys to discover the lies, manipulation, and deceit perpetrated in his original trial. Yet, a new trial was denied with the accusation that Peltier, by virtue of his presence at the time of the gun battle, had “aided and abetted” even though that was never defined as to how he might have aided and abetted anything. Clearly, the government’s “own” had been killed and someone must pay. Peltier didn’t shoot those FBI agents but he has sacrificed for it with his life’s years.

For 31 years, exactly one-half of his lifetime now, Peltier has been behind prison bars. Over and over, misconduct and malfeasance on the part of the legal system seems to have permeated every facet of Leonard Peltier's life in prison and his court case. Yet he remains a model prisoner, establishing numerous humanitarian projects within the prison system as well as back on the Pine Ridge Reservation.

The late Pope John Paul II, the Dalai Lama, Amnesty International, International Indian Treaty Council, the UN Commission on Human Rights, the UN High Commissioner on Human Rights, Sister Helen Prejean, Archbishop Desmond Tutu, Coretta Scott King, Mikhail Gorbachev, Gloria Steinem, Wilma Mankiller, Rigoberta Menchu Tum, Robert Redford, Barbra Streisand, The Rev. Jesse Jackson, the Southern Christian Leadership Conference, National Congress of American Indians, the Robert F. Kennedy Memorial Center for Human Rights, the Human Rights Commission of Spain, the Belgian Parliament, the European Parliament, and a host of other notables all have worked, petitioned, and pleaded for his release.

Yet, still, the United States government bows to the pressure of vengeful FBI protests and demonstrations and allows this man, now 62 years old and in ill health, to continue to be unfairly imprisoned.

If the FBI had hoped to send a “message” to indigenous people with his imprisonment, they were successful. But it isn’t the message of fear they intended. In truth, for the American Indian Nations as well as the world at large, the continued imprisonment of Leonard Peltier has shown that the best of humanity is found right in himself, in the nobility of a spirit so confronted with the treachery and ugliness of life that it has transcended and become a beacon and message of hope, courage, and integrity for his People and for all people. Leonard Peltier has become the Nelson Mandela of America.

For more information on Leonard Peltier, visit the website of the Leonard Peltier Defense Committee, www.leonardpeltier.net
For more information on Harvey Arden, visit his website, www.haveyouthought.com
For more information on Warrior Artists Productions, visit their website at www.warriorartists.com Additional photos may be seen at www.SilvrDrach.homestead.com/Schwartz_2007_Mar_17.html
Stephanie M. Schwartz may be reached at SilvrDrach@Gmail.com
The written words of Stephanie M. Schwartz may be viewed at www.SilvrDrach.homestead.com