"My girlfriend Annie Mae talked about uranium
Her head was filled with bullets and her body dumped
The FBI cut off her hands and told us she'd died of Exposure…"
Her head was filled with bullets and her body dumped
The FBI cut off her hands and told us she'd died of Exposure…"
By Brenda Norrell, Censored News, Feb. 4, 2025
TSAILE, Navajo Nation -- The words of Buffy Sainte Marie, censored by Indian Country Today, led to revelations about Oglala President Dick Wilson's secret land deal on Pine Ridge in the new film Free Leonard Peltier, which premiered at Sundance, producer Jesse Short Bull told Censored News.
Buffy's interview at Dine' College in 1999 was censored for seven years. Before I was fired as a staff reporter, a portion of the interview was published by the newspaper -- but one paragraph was still censored.
In the still censored portion, Buffy referred to a secret land deal on the day of the shoot out at the Jumping Bull property on Pine Ridge.
Buffy said, "Who recalls that on that day one-eighth of the reservation was transferred in secret -- on that day. It was the part containing uranium. That is what never seems to be remembered."Dickie Wilson planned to turn over the mineral rights in the Badlands to the U.S. government. The U.S. government wanted the land for uranium mining. Dick Wilson's secret plan was discovered in the documents in the BIA file cabinets by the American Indian Movement, during the takeover of the BIA building in Washington in 1972.
Following the premiere of Free Leonard Peltier at the Sundance Film Festival, Jesse Short Bull, Oglala Lakota, and director of the film, reveals how Buffy's words led to the search for the facts about Dick Wilson's uranium mining scheme with the U.S. government.
"Buffy's song about Anna Mae really shocked me, she outlined it so well," Short Bull said. "The plans for mineral development for Pine Ridge were discovered at the 1972 BIA takeover, and by the 1980's the big wig energy companies came to Pine Ridge with big ideas for development."
Dick Wilson's Secret Meeting on the Day of the Shootout
It was on the day of the shoot-out at the Jumping Bull Camp -- that resulted in 50 years of imprisonment for Leonard Peltier -- that Dick Wilson signed over the mineral rights in the Badlands on June 26, 1975.
"A few teepees went up, dense dust clouds rose from the dirt train leading from the hard-surface road and the Indians started their vigil on the long table overlooking the rugged and colorful Badlands. Medicine Men Pete Catches and Frank Fools Crow offered opening prayers, two groups of drummers and singers started an Omaha dance and small groups gathered for serious discussion of the issue."
Lakotas were expected to revive the Ghost Dance Saturday night, the article says.
Peltier, during his fifty years of imprisonment, pointed to the comments in the case.
Short Bull said, "There is so little information on the uranium portion on Pine Ridge, however we were able to find and confirm some interesting things. The craziest of all being that on the day of the shootout, there was indeed, a meeting between Oglala Sioux Tribal President Dick Wilson and Dept. of Interior, the mineral rights to the land which is now under the South Unit of the Badlands National Park was signed over, where it remains despite subsequent tribal admins that followed asking/demanding for them back. By 1977, the first claim from Wyoming company was opened one mile off the reservation line, in the same portion of badlands, though development did not materialize, the claim lay active until 2013."
"Buffy's song about Anna Mae really shocked me, she outlined it so well," Short Bull said. "The plans for mineral development for Pine Ridge were discovered at the 1972 BIA takeover, and by the 1980's the big wig energy companies came to Pine Ridge with big ideas for development."
"It was the Elijah Whirlwind Horse admin, who met with these people, considered their proposals, then rejected them, in doing so established the first law that forbids uranium and other mining activities, as well as passing the first resolution asking for mineral rights back, and created a document titled, The Gunnery Range Report, Oglala Sioux Tribe, Office of the President, Jaquelline Huber, Pine Ridge South Dakota 1981, which the books, In the Spirit Crazy of Crazy Horse, and the The Trial of Leonard Peltier, cite."
1970: The Protest at Sheep Mountain
Buffy's words led Short Bull to this news article.
"About 1,000 Indians gathered here Thursday evening, on the 94th anniversary of their defeat of Col. George Armstrong Custer, to start a vigil protesting expansion of the Badlands National Monument onto land taken from the Sioux for a gunnery range during World War II," The Daily Republic in Mitchell South Dakota reported on June 28, 1970.
"The non-violent protest, sponsored by an unofficial Oglala Sioux land committee, is being held outside the national monument on Sheep Mountain, a high, flat table about six miles southwest of the small town of Scenic."
"A few teepees went up, dense dust clouds rose from the dirt train leading from the hard-surface road and the Indians started their vigil on the long table overlooking the rugged and colorful Badlands. Medicine Men Pete Catches and Frank Fools Crow offered opening prayers, two groups of drummers and singers started an Omaha dance and small groups gathered for serious discussion of the issue."
The northwestern section of Pine Ridge was taken during the early days of World War II for a gunnery range. The land committee, headed by Richard T. Little, demanded that the government return 24,500 acres to Indian ownership, the article states.
Charles Garnett of Kyle said at Sheep Mountain, "The government gave us four days to move out and we were led to believe we would have our land back in at least 10 years. Now, more than 25 years later, they want us to buy it back for a higher price."
Lakota voiced a fear that the land would fall into non-Indian hands and that "vultures waiting on the sidelines" would furnish funds with the ultimate goal of seizing the land because Lakota wouldn't be able to pay the funds back.
Lakotas were expected to revive the Ghost Dance Saturday night, the article says.
 |
| Image courtesy Jesse Short Bull, producer, Free Leonard Peltier |
Peltier's Clemency
During Buffy's concert at Dine' College at Tsaile, on the Navajo Nation in 1999, she joined John Trudell in the all-star lineup at the outdoor concert. Buffy dedicated her song, 'Bury My Heart at Wounded Knee,' to Leonard Peltier.
Peltier was granted clemency by Biden during his last moments in office in January. Biden commuted Peltier's two life sentences. Biden stated Peltier's release date from federal prison is Feb. 18, 2025.
Short Bull's search led him to an earlier resolution of the Oglala Sioux Tribe.
The Oglala Sioux Tribe, urging executive clemency for Leonard Peltier, quotes Federal Judge Gerald Heaney in the case: "The FBI was equally responsible for the June 26, 1975 shoot-out."
"During my appeal before the 8th Circuit, the former Prosecuting Attorney, Lynn Crooks, said to Judge Heaney. 'Your honor, we do not know who killed those agents. Further, we don’t know what participation if any, Peltier had in it.' That statement exonerates me, and I should have been released," Peltier said in 2018.
Mohawk Mother Kahentinetha Horn said, "The solicitor general of Canada at the time, Warren Allmand, sent Peltier back to the US on false evidence provided by the FBI."
"When he learned it was false he worked to return him to Canada. His son married my brother's daughter, Wendiiosta, and they have one daughter, which is Allmand's only grandchild. I met him at a social gathering and asked him what he was doing to get Peltier out. He told me he knew he was innocent and was doing all he could to help his case. He is now dead," Kahentinetha told Censored News when Peltier was granted clemency.
UNCENSORED: The following interview with Buffy Sainte Marie details how she was put out of the music business by U.S. President Johnson because of her stance against the Vietnam war. The article was censored by Indian Country Today, where I was a staff writer, in 1999. A portion of it was published in 2006, before I was fired as a longtime staff reporter at the newspaper.
By Brenda Norrell (1999)
TSAILE, Ariz. -- Seated behind the concert stage at
Dine' College, Buffy Sainte-Marie is visionary and
philosopher, folk star and educator, mother and
confidant to truth-seekers. A voice of history and
reason, the Cree poet and songwriter describes life on
the rim, beyond the defined images of women and
Indians.
Relaxing after her performance onstage, Buffy says she
always refused to be categorized as an
aerobic-Indian-princess-Pocahontas. The result: She
was blacklisted, and along with her Indian
contemporaries, put out of business.
"I found out ten years later, in the 1980s, that
Lyndon Johnson had been writing letters on White House
stationary praising radio stations for suppressing my
music."
Buffy, however, is focused on art, not bitterness, and
explains that in Indian communities, there is no name
for artists.
"In my own language, there is no word for art."
Instead, they say, "It shines through him." That, she
says is the mystery -- the artist is a vehicle for the
Creator.
Backstage, Buffy takes chalk in hand, detailing how
the 1960s and 1970s -- the student movement and
American Indian Movement -- were the roots of change.
In the 1960s in Minneapolis, "The guys were in the
streets. The guys who would become AIM." In Boston,
and elsewhere in the East there was no awareness of
Indian people.
"I grew up in Maine and Massachusetts, and I was told
that I couldn't be Indian because all the Indians were
gone," Buffy said.
"So, in other words, the consciousness was Zero." But
there were inklings in the white world, like in the
National Indian Youth Council and the Upward Bound
program recruiting Indian students for college, that
there was a need for change.
"In the Indian community, in Saskatchewan where I am
from, the Indian people were real grass-rootsy and
they had no clue of how they were being ripped off. In
the grassroots in general, people were being worked
over by the oil companies."
The student movement and coffeehouses of Greenwich
Village became her platform in the 1960s. In the
multi-racial movement, students were talking and
students were listening.
"The student movement was extremely important. It's
not happening right now, but it was then and it was a
small window through which people like myself came
into show business."
"Coffee was the drug of choice." And the lyrics and
the movement were serious.
"It meant that people like myself could get on a bus,
in sneakers and a trench coat with a guitar, and fill
concert halls."
In the late 1960s, coffeehouses were suddenly viewed
as moneymakers. "In show business, whatever is making
money is like honey -- and it attracted a lot of bugs
-- a lot of sharks."
The lyrics were watered down and coffeehouses that
remained open had liquor licenses.
"In the 1970s, not only was the protest movement put
out of business, but the Native American movement was
attacked."
Meanwhile, Buffy cut a singular path. "I usually
didn't do what other people did. You didn't find me at
peace marches. I was out in Indian country."
Then, came the occupation of Wounded Knee and the
shoot-out with FBI agents at the Jumping Bull
residence at Pine Ridge June 26, 1975. "That is where
Leonard Peltier's troubles began," Buffy says.
Buffy says that few people recount the true history of
what happened on that day in history.
"Who recalls that on that day one-eighth of the
reservation was transferred in secret -- on that day.
It was the part containing uranium. That is what never
seems to be remembered."
At the time, Buffy was selling more records than ever
in Canada and Asia. But, in the United States, her
records were disappearing. Thousands of people at
concerts wanted records. Although the distributor said
the records had been shipped, no one seemed to know
where they were. One thing was for sure, they were not
on record shelves.
"I was put out of business in the United States."
Later she discovered the censorship and pressure
applied to radio stations by President Lyndon Johnson
during the Vietnam era, particularly toward her
"Universal Soldier" during the anti-war movement.
Buffy says Indian people were put out of business, not
just because they were succeeding in Indian country,
but because they were succeeding in the broader
community. She and others were a threat to the
moneymakers of concert halls, uranium and oil.
Then, fellow activist and poet John Trudell's wife and
children were burned to death in a house fire shortly
after he burned an American flag in Washington D.C.,
February 11, 1979.
"I was just one person put out of business. John
Trudell is just another person whose life was put out
of business. Anna Mae Aquash and Leonard Peltier were
put out of the living business -- we were made
ineffective."
But she continued. Moving into electronic music, which
she says Americans didn't want to hear, then into
music scoring. In the 1980s, she began producing
digital art on her Macintosh at home. Those
brightly-colored large-scale paintings are now
featured in museums.
"Sixteen million colors are hard to resist," she says
of the computer's palette.
In the 1990s, she created the Cradleboard Teaching
Project to link American Indian students with other
students online around the world. Traveling now to
Indian communities and colleges, the project debunks
stereotypes and shares history and culture by way of
CD-ROM.
Sharing the concert stage at Dine' College with
Trudell, Buffy says she and Trudell were "just
puppies," during the takeover of Alcatraz in the
1960s. Yet, they kept struggling; kept surviving.
"We just kept chugging on. We kept coming to Indian
country. We didn't worry about the fortune and fame
because we went with our sincerity, our hearts, and
with our friends."
There was the pain of seeing people hurt, but the
movers of the '60s and '70s survived, developed,
taught, and shared with old friends the joys of
watching children and Indian country grow.
"It was hard -- seeing people hurt," she says. And
there was the pain of seeing women and the elderly
treated with lack of respect. But, people began to
sober up and change. Her "Starwalker" is a tribute.
"Starwalker is for all generations past and yet to
come. So many people have seen the reality of that in
their lives," she says, adding that the song is one of
her favorites.
"Starwalker he's a friend of mine
You've seen him looking fine he's a
straight talker
he's a Starwalker don't drink no wine
ay way hey o heya
Wolf Rider she's a friend of yours
You've seen her opening doors
She's a history turner
she's a sweetgrass burner and a
dog soldier
ay hey way hey way heya"
Although Buffy makes her home in Hawaii, much of her
time is spent in Canada and on the road. Fame,
however, has its drawbacks, making it impossible to
simply attend a pow wow. "Sesame Street put an end to
it."
Buffy said Native people in Canada are doing well in
all walks of life, the government, television and law.
"It's not like it is in the United States."
What has happened in Canada? Canada attracted a
different type of European. "People didn't want to put
up with the U.S. gobbly-greed."
Then, she adds, "Native people were hipper. Things are
still very pure, but very strong in Canada."
Questioned about the media, Buffy says if you want to
find out the motive behind a newspaper's coverage,
look to see who owns the paper. She was asked by a
Native photographer why only negative articles are
published in a leading Arizona paper.
"Find out who owns it," she says, explaining that this
fact will reveal the motive.
Then, she adds, "Don't let the bastards get you down."
The U.N. Observer and International Report at the Hague, published by Paul Rafferty, was the first to publish the article of Buffy's interview in full. The timing of my firing by Indian Country Today in late September of 2006 was significant because I was on my way across Tucson to cover the Indigenous Border Summit of the Americas in San Xavier District, on the Tohono O'odham Nation. A large delegation of the Mohawk Warrior Society were enroute from the north to support Tohono O'odham and the border resistance.
Beyond images of women and Indians: Straight-talk from a Cree icon
By Brenda Norrell (1999)
TSAILE, Ariz. -- Seated behind the concert stage at
Dine' College, Buffy Sainte-Marie is visionary and
philosopher, folk star and educator, mother and
confidant to truth-seekers. A voice of history and
reason, the Cree poet and songwriter describes life on
the rim, beyond the defined images of women and
Indians.
Relaxing after her performance onstage, Buffy says she
always refused to be categorized as an
aerobic-Indian-princess-Pocahontas. The result: She
was blacklisted, and along with her Indian
contemporaries, put out of business.
"I found out ten years later, in the 1980s, that
Lyndon Johnson had been writing letters on White House
stationary praising radio stations for suppressing my
music."
Buffy, however, is focused on art, not bitterness, and
explains that in Indian communities, there is no name
for artists.
"In my own language, there is no word for art."
Instead, they say, "It shines through him." That, she
says is the mystery -- the artist is a vehicle for the
Creator.
Backstage, Buffy takes chalk in hand, detailing how
the 1960s and 1970s -- the student movement and
American Indian Movement -- were the roots of change.
In the 1960s in Minneapolis, "The guys were in the
streets. The guys who would become AIM." In Boston,
and elsewhere in the East there was no awareness of
Indian people.
"I grew up in Maine and Massachusetts, and I was told
that I couldn't be Indian because all the Indians were
gone," Buffy said.
"So, in other words, the consciousness was Zero." But
there were inklings in the white world, like in the
National Indian Youth Council and the Upward Bound
program recruiting Indian students for college, that
there was a need for change.
"In the Indian community, in Saskatchewan where I am
from, the Indian people were real grass-rootsy and
they had no clue of how they were being ripped off. In
the grassroots in general, people were being worked
over by the oil companies."
The student movement and coffeehouses of Greenwich
Village became her platform in the 1960s. In the
multi-racial movement, students were talking and
students were listening.
"The student movement was extremely important. It's
not happening right now, but it was then and it was a
small window through which people like myself came
into show business."
"Coffee was the drug of choice." And the lyrics and
the movement were serious.
"It meant that people like myself could get on a bus,
in sneakers and a trench coat with a guitar, and fill
concert halls."
In the late 1960s, coffeehouses were suddenly viewed
as moneymakers. "In show business, whatever is making
money is like honey -- and it attracted a lot of bugs
-- a lot of sharks."
The lyrics were watered down and coffeehouses that
remained open had liquor licenses.
"In the 1970s, not only was the protest movement put
out of business, but the Native American movement was
attacked."
Meanwhile, Buffy cut a singular path. "I usually
didn't do what other people did. You didn't find me at
peace marches. I was out in Indian country."
Then, came the occupation of Wounded Knee and the
shoot-out with FBI agents at the Jumping Bull
residence at Pine Ridge June 26, 1975. "That is where
Leonard Peltier's troubles began," Buffy says.
Buffy says that few people recount the true history of
what happened on that day in history.
"Who recalls that on that day one-eighth of the
reservation was transferred in secret -- on that day.
It was the part containing uranium. That is what never
seems to be remembered."
At the time, Buffy was selling more records than ever
in Canada and Asia. But, in the United States, her
records were disappearing. Thousands of people at
concerts wanted records. Although the distributor said
the records had been shipped, no one seemed to know
where they were. One thing was for sure, they were not
on record shelves.
"I was put out of business in the United States."
Later she discovered the censorship and pressure
applied to radio stations by President Lyndon Johnson
during the Vietnam era, particularly toward her
"Universal Soldier" during the anti-war movement.
Buffy says Indian people were put out of business, not
just because they were succeeding in Indian country,
but because they were succeeding in the broader
community. She and others were a threat to the
moneymakers of concert halls, uranium and oil.
Then, fellow activist and poet John Trudell's wife and
children were burned to death in a house fire shortly
after he burned an American flag in Washington D.C.,
February 11, 1979.
"I was just one person put out of business. John
Trudell is just another person whose life was put out
of business. Anna Mae Aquash and Leonard Peltier were
put out of the living business -- we were made
ineffective."
But she continued. Moving into electronic music, which
she says Americans didn't want to hear, then into
music scoring. In the 1980s, she began producing
digital art on her Macintosh at home. Those
brightly-colored large-scale paintings are now
featured in museums.
"Sixteen million colors are hard to resist," she says
of the computer's palette.
In the 1990s, she created the Cradleboard Teaching
Project to link American Indian students with other
students online around the world. Traveling now to
Indian communities and colleges, the project debunks
stereotypes and shares history and culture by way of
CD-ROM.
Sharing the concert stage at Dine' College with
Trudell, Buffy says she and Trudell were "just
puppies," during the takeover of Alcatraz in the
1960s. Yet, they kept struggling; kept surviving.
"We just kept chugging on. We kept coming to Indian
country. We didn't worry about the fortune and fame
because we went with our sincerity, our hearts, and
with our friends."
There was the pain of seeing people hurt, but the
movers of the '60s and '70s survived, developed,
taught, and shared with old friends the joys of
watching children and Indian country grow.
"It was hard -- seeing people hurt," she says. And
there was the pain of seeing women and the elderly
treated with lack of respect. But, people began to
sober up and change. Her "Starwalker" is a tribute.
"Starwalker is for all generations past and yet to
come. So many people have seen the reality of that in
their lives," she says, adding that the song is one of
her favorites.
"Starwalker he's a friend of mine
You've seen him looking fine he's a
straight talker
he's a Starwalker don't drink no wine
ay way hey o heya
Wolf Rider she's a friend of yours
You've seen her opening doors
She's a history turner
she's a sweetgrass burner and a
dog soldier
ay hey way hey way heya"
Although Buffy makes her home in Hawaii, much of her
time is spent in Canada and on the road. Fame,
however, has its drawbacks, making it impossible to
simply attend a pow wow. "Sesame Street put an end to
it."
Buffy said Native people in Canada are doing well in
all walks of life, the government, television and law.
"It's not like it is in the United States."
What has happened in Canada? Canada attracted a
different type of European. "People didn't want to put
up with the U.S. gobbly-greed."
Then, she adds, "Native people were hipper. Things are
still very pure, but very strong in Canada."
Questioned about the media, Buffy says if you want to
find out the motive behind a newspaper's coverage,
look to see who owns the paper. She was asked by a
Native photographer why only negative articles are
published in a leading Arizona paper.
"Find out who owns it," she says, explaining that this
fact will reveal the motive.
Then, she adds, "Don't let the bastards get you down."
Buffy was born on the Piapot Cree Reserve in
Saskatchewan in 1941. Later, while evolving as a revolutionary
folk-singer, she received degrees in Oriental
Philosophy and teaching, and a Ph.D. in Fine Art from
the University of Massachusetts.
A young Bob Dylan heard her sing in Greenwich Village
and recommended she perform at the Gaslight, another
hangout of the avant-garde. Janis Joplin and Elvis
Presley were among those who recorded her lyrics.
Saskatchewan in 1941. Later, while evolving as a revolutionary
folk-singer, she received degrees in Oriental
Philosophy and teaching, and a Ph.D. in Fine Art from
the University of Massachusetts.
A young Bob Dylan heard her sing in Greenwich Village
and recommended she perform at the Gaslight, another
hangout of the avant-garde. Janis Joplin and Elvis
Presley were among those who recorded her lyrics.
On the road, she traveled the world and received a
medal from Queen Elizabeth II.
Shifting gears as a mother, Buffy and her son Dakota
Wolfchild Starblanket became stars of Sesame Street in
1976 and dissolved myths about who Indians are. "Up
Where We Belong," recorded for the film "An Officer
and A Gentleman," won an Academy Award in 1982.
After the release of her album "Coincidence and Likely
Stories," in 1993, she helped establish a new Juno
Awards category for Aboriginal Music in Canada. That
same year, France named Buffy "Best International
Artist of 1993."
Defying definition, she has also written country
music, including "He's an Indian Cowboy in the Rodeo."
She served as an adjunct professor in Canada and New
York, and as an artist in residence at the Institute
of American Indian Arts in Santa Fe.
Onstage at the Native American Music Festival at Dine'
College, a benefit concert for the Dine' Council of
Arts and Humanities, Buffy sang selections from her
1996 release, "Up Where We Belong."
Festival organizer Ferlin Clark recalled driving Buffy
through Apache country to share her Cradleboard
Teaching Project, then convincing her to drive until
dawn to reach the Navajo's Canyon de Chelly. Once at
Spider Rock, Buffy reached for a pen and paper to
write. Inspired, she knew she would return.
In concert, Buffy dedicated "Bury My Heart At Wounded
Knee," to Leonard Peltier.
The lyrics tell the story of Native people of the
1880s and later in the 1960s and 1970s, that fell to
the hands of the "robber barons" driven by greed for
oil, gold and precious metals. While manipulating the
media and politicians, they added uranium to their
agenda in the Twentieth Century.
In the song, Buffy sings of a senator in Indian
country, a "darling of the energy companies," and
covert spies, liars, federal marshals and FBI.
Buffy sings her safety rule: "Don't stand between the
reservation and the corporate bank. They send in
federal tanks…"
The song is a also tribute to assassinated activist
Anna Mae Aquash, whose murderers remain at large. The
lyrics describe the act of the FBI in cutting off her
decomposed hands under the guise of identification.
"My girlfriend Annie Mae talked about uranium
Her head was filled with bullets and her body dumped
The FBI cut off her hands and told us she'd died of
Exposure…"
Bury my heart at Wounded Knee
Deep in the Earth
Cover me with pretty lies
bury my heart at Wounded Knee."
Shifting gears as a mother, Buffy and her son Dakota
Wolfchild Starblanket became stars of Sesame Street in
1976 and dissolved myths about who Indians are. "Up
Where We Belong," recorded for the film "An Officer
and A Gentleman," won an Academy Award in 1982.
After the release of her album "Coincidence and Likely
Stories," in 1993, she helped establish a new Juno
Awards category for Aboriginal Music in Canada. That
same year, France named Buffy "Best International
Artist of 1993."
Defying definition, she has also written country
music, including "He's an Indian Cowboy in the Rodeo."
She served as an adjunct professor in Canada and New
York, and as an artist in residence at the Institute
of American Indian Arts in Santa Fe.
Onstage at the Native American Music Festival at Dine'
College, a benefit concert for the Dine' Council of
Arts and Humanities, Buffy sang selections from her
1996 release, "Up Where We Belong."
Festival organizer Ferlin Clark recalled driving Buffy
through Apache country to share her Cradleboard
Teaching Project, then convincing her to drive until
dawn to reach the Navajo's Canyon de Chelly. Once at
Spider Rock, Buffy reached for a pen and paper to
write. Inspired, she knew she would return.
In concert, Buffy dedicated "Bury My Heart At Wounded
Knee," to Leonard Peltier.
The lyrics tell the story of Native people of the
1880s and later in the 1960s and 1970s, that fell to
the hands of the "robber barons" driven by greed for
oil, gold and precious metals. While manipulating the
media and politicians, they added uranium to their
agenda in the Twentieth Century.
In the song, Buffy sings of a senator in Indian
country, a "darling of the energy companies," and
covert spies, liars, federal marshals and FBI.
Buffy sings her safety rule: "Don't stand between the
reservation and the corporate bank. They send in
federal tanks…"
The song is a also tribute to assassinated activist
Anna Mae Aquash, whose murderers remain at large. The
lyrics describe the act of the FBI in cutting off her
decomposed hands under the guise of identification.
"My girlfriend Annie Mae talked about uranium
Her head was filled with bullets and her body dumped
The FBI cut off her hands and told us she'd died of
Exposure…"
Bury my heart at Wounded Knee
Deep in the Earth
Cover me with pretty lies
bury my heart at Wounded Knee."
Also see:
'Keepers of the Stronghold Dream.' Defending the Stronghold in the Badlands, by Brenda Norrell, Censored News.
Copyright Brenda Norrell, Censored News. Content may not be used without written permission.
