Indigenous Peoples and Human Rights

March 8, 2014

Grassroots Lower Brule: Fighting the Keystone XL tarsands pipeline

A Message from Owe Aku at Lower Brule - the Kul Wicasa Oyate



By Kent Lebsock
Owe Aku International Justice Project
Censored News
Dutch translation NAIS

Lower Brule Kul Wicasa Oyate, Sovereign Lakota Territory, March 5, 2014  - When the people of the Kul Wicasa Oyate discovered that their IRA Tribal Council had allegedly signed a secret agreement with TransCanada, without the free, prior and informed consent of the people, regarding the construction of power lines to move tarsands oil through the KXL pipeline, the grassroots people put out a call for help.
A meeting was scheduled and within a few hours relatives from Rosebud, Cheyenne River and Rapid City, as well as three vehicles full of members of Owe Aku's Moccasins on the Ground, caravaned to Lower Brule to lend our support and assist our brothers and sisters in their struggle.  The message: we are one Lakota Oyate and we will not permit the destruction of our land and water by anyone and we will protect it for future generations.
YOU CAN HELP US WITH THIS KIND OF ACTION BY CONTRIBUTING TO OUR TRANSPORTATION FUND WHICH IS ENTIRELY MADE UP OF DONATIONS OF $10 AND $20 FROM PEOPLE AROUND THE WORLD WILLING TO HELP.  VISIT OUR WEBPAGE ATWWW.OWEAKUINTERNATIONAL.ORG IN ORDER TO BE A PART OF THIS CRITICAL MOVEMENT.  Owe Aku's Website for Information and Donations.WOPILA.
We look forward to young warriors and activists from the Kul Wicasa Oyate participating in the Moccasins on the Ground training to be held at Rosebud the weekend of April 25th.  To be added to our email list in order to receive more information email us at oweakuinternational@me.com.  
WOPILA!  
Kent Lebsock
Owe Aku International Justice Project
Advocate for Lakota Treaties & Mother Earth
oweakuinternational@me.com
646-233-4406
646-395-1617 fax

March 7, 2014

Rage in the Desert: Tantoo Cardinal on Finding Voice

Tantoo Cardinal courtesy photo

Live from the Agua Caliente Native American Film Fest

First Nations Voices in the Cahuilla Desert Tonight

For the 50,000 children who never came home

By Brenda Norrell
Censored News Exclusive
March 6, 2014

Tantoo Cardinal in Palm Springs
Photo Brenda Norrell
PALM SPRINGS, Calif. -- "Rage" is not a word that most filmmakers and film festivals are comfortable with. Tantoo Cardinal was not afraid to use the word "rage" tonight. The Agua Caliente Native American Film Festival was not afraid to present a feature film tonight that centered on rage.

Rage is what Tantoo Cardinal felt as a young person in high school. Everywhere she looked, she saw Native people being abused and exploited. That rage fueled her drive, fueled her to find an outlet for that rage. In that quest, she found her voice in acting.

Rage is the message that flows through Moose River Crossing, the feature film tonight at the Agua Caliente Native American Film Festival. It is the rage of young girls and boys in Indian residential schools being raped by principals and priests. It is the rage against the tiny crosses that mark the graves of the 50,000 Indian children in Canada who never came home from residential boarding schools. It is the rage against the flashbacks of the abuse that take hold of peoples lives and come back like rivers, like floods. It is the rage of scars from leather straps on the back, the rage of looking and seeing those now drowning in addictions, alcohol addiction and sex addiction.

When the drama of First Nations voices and films came to the Cahuilla Desert tonight, there were no fairy tale endings in the cinema tonight.

In Moose River Crossing, by Cree filmmaker Shirley Cheechoo, there is a clarifying voice at the conclusion: The victims of residential school abuse must come together, tell their stories, and share their stories.

There is also this pointed conclusion: Speak the truth, speak one's own truth from Spirit, and this is where the power comes.

Tonight, the voices of the far north came to one of the hottest places in North America, the southern California desert.

Tonight's short films at the Agua Caliente Native American Film Festival featured some of the first films for First Nations that turned the industry around, Tantoo Cardinal told a large crowd tonight that appreciated both the humor and sorrow woven into those early films.

Three short films featured festival honoree Tantoo Cardinal, Indigenous actress from northern Alberta, Canada, who spoke of her early days, of both searching and acting. All three films are compelling, weaving complicated issues, and revealing the wide range of Tantoo Cardinal's acting and her own strength.

Blood River
When Tantoo Cardinal was asked what called out to her from those early films, she said it was the filmmakers themselves. Tantoo said Shelley Niro is an amazing artist, and Kent Monkman, Cree, has an incredible sense of humor. Shelley Niro directed Honey Moccasin and Kent Monkman directed Blood River.

In Blood River, Tantoo portrays a white adoptive mother, sporting a blonde wig.

"I think it is hilarious that I'm playing a white woman. It was a laugh," said Tantoo, pointing out that this was a turning of the tables on the whites who were always playing Indians in films.

Blood River, with its humor, also conveys the struggle of an adopted Native child searching for her mother, and the trauma for Indian children growing up in foster homes.

Memory directed by Cedar Sherbet, Kumeyaay, shown tonight, reveals an elderly alcoholic aunt, portrayed by Tantoo, returning for the memorial of a child who has drowned.

The issues of survival -- and the complex issues of family, forgiveness and rebuilding lives -- in the films are set against one underlying reality that Tantoo Cardinal described tonight.

Tantoo said that through their ancestry, Native people knew the truth. "We have known it was about the land."

Whether it is in the United States or Canada, the situation is the same. "It is the same animal," Cardinal said.

"Every government has tried to get rid of treaties, remove us, thin us out."

Now, people are coming together in the fight to protect the water, she said.

"Water is fundamental. If we don't have water, we don't have life," said Tantoo describing the threat of fracking to the water.

As for the rage that fueled her, she said being raised by elderly led her to avoid violence of any kind in the protest movements of the '70s.

As for the exploitation and abuse of Native people all around her, she said she barely made it out of high school, she felt so much rage and was so passionate.

"I heard a voice that each of us has been given a gift." It was then that she began her search, persevering in her quest to discover her own gift. In 1977, she turned down the first role offered because of the dialogue. When they agreed to change it, it was no better. Eventually, they removed all the dialogue.

"I was so happy," she said.

In the films that followed through the years, she portrayed a wide range of characters, including the owner of the Inukshuk Cafe in the off-beat and unpredictable Honey Moccasin, directed by Shelley Niro, and shown tonight.

"The reason I got into acting was to develop a voice."

The voice is not just her own, but an ever-evolving voice for Native people. It is this voice that sounded through the Cahuilla Desert tonight.

The Festival

The Agua Caliente Native American Film Festival is presenting important new Native feature films this week, including Star Wars Episode IV A New Hope, Dine' language with English subtitles, and Maina starring Tantoo Cardinal joined by an incredible cast of Native artists. A lecture by Chiricahua Apache Nancy Marie Mithlo, PhD, opened the festival on Tuesday night. Mithlo's talk was "Can You Hear Me? Silence as an Indigenous Representational Strategy in Film."

Richard M. Milanovich, the late chairman of the Agua Caliente Band of Cahuilla Indians, was a lover of film and each year attended the Native Film Fest. The Richard M. Milanovich Award for Distinguished Contributions to Indigenous Film establishes in his honor those who have distinguished themselves in Indigenous film.

The 2014 Award will be presented to Tantoo Cardinal on Saturday evening, March 8, during the 8 pm screening.

Indigenous films continue on Friday, Saturday and Sunday at Camelot Theaters, beginning at 5 pm each day.

Film schedulehttp://www.accmuseum.org/2014-Native-FilmFest

Article copyright Brenda Norrell. Please share the link. 
To publish in full contact: brendanorrell@gmail.com
http://bsnorrell.blogspot.com/2014/03/rage-in-desert-tantoo-cardinal-on.html

March 6, 2014

Fundraising: Here at the Agua Caliente Native American Film Festival

By Brenda Norrell
Censored News
The Greyound bus stop is five miles from Palm Springs.
Without warning was dropped off in the desert
in a dust storm, which is in the foreground in the photo.

I've made an extreme effort to get to the Palm Springs, to the Agua Caliente Native American Film Festival, where Tantoo Cardinal is being honored. 
There was a train to bus, then walk to one town and sleep on a couch, then another bus. 
Without warning, the Greyhound bus dropped me off five miles from Palm Springs in a dust storm in the desert. 
So now I'm fundraising on Censored News to be able to stay over tonight and cover this film festival. No media would agree to purchase any articles to support the trip. 
Tantoo is doing vital work globally and has just returned from the Rights of Mother Earth Tribunal in Ecuador.
Please support Censored News on the blog: www.bsnorrell.blogspot.com

John Kane, Mohawk: 'Economy? We don't need no stinking economy'

Economy? We Don't Need No Stinking Economy!

By John Karhiio Kane, Mohawk

John Kane
I haven't weighed in much on Canada's Bill C-10 issues but in the overall scheme of things it is no different than any of the others on the long list of anti-Native laws, regulations and policies that Canada and the U.S. have attempted to impose on our people and lands for centuries and, of course, this includes their provinces and states, as well. It all boils down to an attempt to control, marginalize and criminalize our people.
It is particularly ironic that participation in a trade industry that has been ours for thousands of years — actually introduced to their ancestors by our ancestors — has been under attack since the moment we began realizing any significant economic gain from it. But the attempt by the U.S. and Canada to deny this inherent right is not the only egregious act by two of the world's biggest hypocrite nations.
Kidnapper, hostage holder and pedophile John Rolfe (d. 1622) of Pocahontas fame took the first steps to bastardize our tobacco by commercializing the product for the European market.